当警察突袭埃尔帕索的一所房子时，他们发现里面满是死去的拉丁裔人，只有一名幸存者。他被称为旅行者，当他们带他去车站询问时，他告诉他们那些土地充满了魔法，并谈到了他在这个地球上的漫长岁月中遇到的恐怖，关于通往其他世界的门户，神话生物，恶魔和不死族。关于拉丁美洲传奇的故事。

当警察突袭埃尔帕索的一所房子时，他们发现里面满是死去的拉丁裔人，只有一名幸存者。他被称为旅行者，当他们带他去车站询问时，他告诉他们那些土地充满了魔法，并谈到了他在这个地球上的漫长岁月中遇到的恐怖，关于通往其他世界的门户，神话生物，恶魔和不死族。关于拉丁美洲传奇的故事。

Lumière Film Catalog no. 541 　　Filmed by Alexandre Promio

阿尔蒂普拉诺高原，这片广袤而险峻的土地，是拉丁美洲最危险的迁徙路线之一。一位少女回忆起那个难忘的夜晚，当她横跨这片高原时，心中涌起了一种被无形力量陪伴的感觉——那是一种仿佛随风飘荡、永恒游走的精神存在。

阿尔蒂普拉诺高原，这片广袤而险峻的土地，是拉丁美洲最危险的迁徙路线之一。一位少女回忆起那个难忘的夜晚，当她横跨这片高原时，心中涌起了一种被无形力量陪伴的感觉——那是一种仿佛随风飘荡、永恒游走的精神存在。

阿尔瓦罗（哈维尔·古铁雷斯 Javier Gutiérrez 饰）是在公证处里上班的小小职员，拿着一份非常微博的薪水，常年生活在贫穷之中。虽然生活压力巨大，但是阿尔瓦罗依然怀揣着成为作家的梦想，无奈阿尔瓦罗实在是一个没有什么写作天赋的男人，所以直到今天，这个梦想依然孕育在襁褓之中。 　　阿曼达（玛利亚·莱昂 María León 饰）是阿尔瓦罗的妻子，和丈夫的平庸恰恰相反，阿曼达随随便便的写了一本书，哪知道一炮而红。充满了困惑的阿尔瓦罗向自己的老师胡安（安东尼奥·德·拉·托雷 Antonio de la Torre 饰）请教成名秘诀，胡安告诉阿尔瓦罗，想要写出好的故事，必须从现实里取材。

Consists of segments: (1) "The Classical Ideal". The origins of Western art are traced to ancient Greece through Kouroi and Korai figures, as well as by the architectures of the Pantheon. From Greece to Rome through the Hellenistic period, the program focuses on the new artistic approach to human form and violent emotions that reached its pinnacle with the altar of Zeus at Pergamun. (2) "A White Garment of Churches". Examines Romanesque and Gothic churches as evidence of the values of the societies that created them. Shows the effect of monasticism and pilgrimage on Romanesque church architecture. Uses Gislebertus's sculpture at St. Lazare in Autun to show the medieval focus on Heaven and the afterlife. The Gothic architecture, sculpture and stained glass at St. Denis and Chartres are discussed as evidence of a new theology and profound social changes during the twelfth and early thirteenth centuries. (3) "The Early Renaissance in Italy and the North". (4) "The High Renaissance". Covers key aspects of the High Remaissance, including the advent of the artist as genius (Leonardo, Michelangelo, and Raphael), the rise of Rome as a center of artistic vitality, and Venetian preoccupation with the quality of light (Giorgione and Titian). Also examines the social turbulence of the late sixteenth century and the reinterpretation of classical architectural principles. (5) "Realms of Light". Examines the divergent themes of the baroque period, including a new emotional appeal as seen in Bernini's 'The Ecstasy of St. Teresa,' Caravaggio's naturalism, Velasquez's multilayered works, and the rise of bourgeois values as seen in Rembrandt's works. (6) "An Age of Reason, an Age of Passion". Covers the move from the rococo period to neoclassicism and romanticism. Relates stylistic changes to the French Revolution and the Napoleonic wars. Covers the work of David, Géricault, Turner, Delacroix, and Goya. (7) "Realists, Impressionists, Post-Impressionists". Contrasts Courbet's treatment of subjects from everyday life with the innovations and techniques used by the impressionists. Examines the impressionists characteristic concern with color and changing light and contrasts this with the very individualistic visions of the postimpressionists. (8) "Into the Twentieth Century". Covers the work of the Fauves, the Cubists, the international style, and the Surrealists. Discusses how these movements relate to modern life. (9) "In Our Own Time." Examines why the appearance of abstract expression caused the United States to become a center for the visual arts. Reviews the diversity of styles in the postwar period, including the work of Pollock, Warhol, Oldenburg. Also examines the explosive internationalization of the art world in the 1970s and 1980s. Written by Fiona Kelleghan {[email protected]

“关山难越，谁悲失路之人？萍水相逢，尽是他乡之客。”曾有人说﹕「有海水的地方，就有华人。」华人移居海外，历史悠久，每个朝代出於不同的背景，中国人或为经商，或为谋生，或为逃难，一批又一批地选择离乡别井或被逼漂泊异地。他们的血泪史与中国的历史紧紧相扣。 　　海外华人不是我们的陌路人，从他们身上，我们看到自己先辈的影子，看到中华民族多番波折的考验，感受到中华儿女坚毅的精神。

这个全新的节目将揭开从玛雅到特奥蒂瓦坎的拉丁美洲文明里那些不为人知的故事。国家地理将借助尖端技术，在最令人惊叹和最具标志性的考古遗址中揭开深层次的谜团，呈现最具争议的考古发现。国家地理探险家安德烈斯鲁佐和考古学家、技术专家法比奥·阿马多将是我们的探险向导。有了第一手的信息渠道，再加上虚拟现实作品、360度视频资料、无人机拍摄和难以置信的照片细节，我们的科学家将能够揭示古代的奥秘，同时分享探寻这些地点的奇妙经历。